About the Filmmichaelmoore.comLibrary + ResourcesHow can I help the Soldiers?
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The film print is carried by hand onto the plane for the flight to Cannes.
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The film arrives in Europe.
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Welcome to Cannes!
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Looking out at the Mediterranean.
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The Cannes skyline
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The view of Cannes from above
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A less golden palm in Cannes
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At night, the sky above Cannes is lit by spotlights.
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Before the first screening of Fahrenheit 9/11, Mike answers questions at the Festival organized press conference.
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Almost 30 members of the Fahrenheit team came to the festival and gather here to head over to the Palais for the screening.
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Field Producer Meghan O'Hara, Sound Genius Francisco LaTorre, Supervising Producer Tia Lessin, Field Producer Nicky Lazar, and Chief Archivist Carl Deal arrive at the screening.
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Camera guru Mike Desjarlais, Editor Kurt Engfehr and Composer Jeff Gibbs let Francisco in on another picture.
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After the film, the audience rose to their feet to give it a standing ovation.
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The standing ovation lasted twenty minutes - the longest in the festival's history.
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Ovation Video [1.5 meg AVI]: Click here to watch 10 seconds of the standing ovation
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Everyone got dolled up and headed to the Palais for the awards ceremony. Pictured here: Jeff Gibbs, Editor T. Woody Richman, Kurt Engfehr, Francisco LaTorre, Editor Chris Seward, Producer Jim Czarnecki, Production Coordinator Robyn Alcock, Line Producer Monica, Tia Lessin and Carl Deal.
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The view from inside the Palais.
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The Festival Jury on stage for the awards presentation.
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Quentin Tarantino announces the winner of the Golden Palme for the 2004 Cannes Film Festival.
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Palme Victory Vid [2.4 meg AVI]: And the Palme D'Or goes to...
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Mike and the editors pose with the Palme D'Or
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Title Designer Bernardo Loyola, Monica, and Robyn Alcock spend some quality time with the Palme.
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Monica, Bernardo, Eric Weinrib, David Schankula, Jason Pollock, and Natalie Rose spend some quality time with Francisco.
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Kurt Engfehr edits up some kebabs.

New York Times: Cannes Film Festival Multimedia Presentation

 

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